Points of contact

Thinking freely in the museum: Labels from the younger generation at Wallraf

A different way to support young scholars. Today, Mia doesn’t have the time for friends, Twitter, or gymnastics class. She’s at the museum – more specifically, crouching on the floor with a notebook and pen at the Wallraf Richartz Museum. Of course, she’s not doing this without reason: She’s part of a group of children and youths spending the day reflecting on their favourite pictures at the Wallraf.

Schoolchildren working on a project in the Wallraf painting collection

Schoolchildren working on a project in the Wallraf painting collection, Photo: Björn Föll

The result is personal texts, or “labels from the younger generation”, that supplement the current labels for the paintings on display and – in a manner of speaking – give viewers more perspectives from which to view the art. Mia looks back and forth between the wall with the framed canvas and her notes. After all, while meandering through the museum, this particular work caught her eye. Now she’s asking herself: why? What is appealing about it to her? What connects her to this image? This is not an exercise in knowledge about art history, but rather unbiased examination with a clean slate. Although it’s not just about looking at the work, but also about feelings, experiences, and memories. It’s about points of contact, and everything that triggers associations and emotions in the young museum-goers.

These labels are the result of a partnership between the Museumsdienst and the Museumsschule Köln. Dr Stephanie Sonntag, the Wallraf specialist at the Museumsdienst, hopes that the students will write texts that supplement the more traditional labels. The Museumsschule compiled a list of incisive questions, and based the project on a longstanding concept in the field of education, at times even allowing the primary school children to discover the museum and its works alongside students from higher grades. The “big kids” – for Mia, this is the 16-year-old Amir – accompany them and help the children put their thoughts to paper. For Stephanie Sonntag, the texts are not only a unique means of participation and appreciation by the museum-goers of tomorrow, but are also a great enrichment for the Wallraf Museum. “Adults will also be quite interested in these, because it’s not uncommon for these rather personal perspectives to lead to entirely new, surprising insights.” They will also be collected in a book called Points of Contact.

I think the picture is great because it makes me think about when my parents got married. We were in boats in the water and I really liked how the wind blew against my face. When we set off with the boat I could forget everything else around me.

Finja, 9 years old

Corinth’s pictures seem wild and forceful. He was a restless person who hated being at home. That’s why he has a lot of landscape pictures, because he spent all his energy out in nature. He definitely painted his pictures quickly and hurriedly, and maybe even knew what the next one would be before he finished.

Uwe, 12 years old

I like the picture because the trees look so calm and happy. I imagine lying in the grass and looking up at the sky. I really like the colourful flowers. I can see the city and the sunset in the background. I think, if I were lying in the grass under this pretty tree, I wouldn’t be scared of anything anymore.

Yusuf, 9 years old

Info

At the Museumsschule, founded in 1986 by the City of Cologne and the district government, Björn Föll, Anja Hild, Alexa Schink, Christine Wolf, and other working teachers give children and youths from all types of schools access to museums as a place of learning. Together with the Museumsdienst, the Museumsschule invites teachers to collections and special exhibits so that they can learn how to mediate between the exhibits and the children, and let younger people partake in their cultural heritage.

Text: Björn Föll, Anja Hild, Alexa Schink & Christine Wolf