In the collection’s completely revamped presentation, which opened in 2024, visitors can experience diverse perspectives on the art directly within the collection: 15 chapters, from A for “Alexander Schnütgen” to S for “Sculpture in the Late Middle Ages,” shed light on the respective context of the art with reference to past eras, iconography, materials, or techniques.

For example, the redesigned entrance area in the new building from 2010 welcomes visitors into what is essentially the Cologne “living room” of collection founder Alexander Schnütgen as it would have been around 1910. “Artworks for Worship,” for example, are presented in the 1950s building, while St. Cecilia’s Church, serving as the main exhibition space, features themes such as “Memento Mori” and “Art for City and Church.”

All artworks are explained in brief texts and can be explored within the context of their respective thematic areas. An audio guide in German and English, accessible via QR code, provides additional information on approximately 100 selected objects. This mobile app also offers texts in Ukrainian, Turkish, and simplified language. Accompanying booklets provide further inspiration for beginners, those fascinated by materials, detail-oriented visitors, and creative minds. Children can get hands-on with a doodle book and design their own version of the Middle Ages.

The exhibition’s scope ranges from wood and stone sculptures to exquisite goldsmithing and stained glass, as well as rare ivory and textiles. A special feature is the tranquility and aura of the Romanesque.